Romance

Sir Amadace

Date of compositionLate fourteenth century
Place of compositionNorthwest Midlands
Form

Twelve-line tail-rhyme stanzas: aa4b3cc4b3dd4b3ee4b3

IMEV
3518.5
Keywords Conversion Crusade Friendship Jerusalem Military Combat Pilgrimage Religious Figures Religious Spaces Rome Sacrament Saracen Secular Spaces Siege Supernatural Treachery Urban Spaces

[The opening lines are missing in both manuscripts]. Sir Amadace, who is heavily in debt, is discussing courses of action with his steward. Rather than face ridicule, he mortgages his lands, gives away everything except for forty pounds, and leaves the country accompanied by three servants. In a forest they come across a chapel where a widow watches over the rotting body of her husband - a merchant who spent beyond his means on alms, feasts and gifts. Thirty pounds of his debts remain unpaid and the final creditor has threatened to have the corpse savaged by hounds. Recognising the parallels with his own situation, Amadace goes to the city and pleads with the creditor, another merchant, to forget the debt. When he refuses, Amadace pays him with his own money, using his last ten pounds to arrange a lavish funeral.

After leaving the city, Amadace dismisses his servants and considers his fate, praying to God for help. He is overheard by a knight, dressed entirely in white, who tells him of a forthcoming tournament held by the king, who is seeking a husband for his daughter. He offers to help Amadace, in return for half of whatever he wins. Amadace agrees and, following the white knight's instructions, goes to the shore, where he finds a rich shipwreck. He takes what he needs and tells the king's messengers that he is a great prince whose ships have run aground. He is welcomed into the court and assembles a retinue, offering them rich rewards. Amadace performs well in the tournaments, and is rewarded with the princess and half the kingdom.

Shortly after his wife bears a son, the white knight returns. Amadace welcomes him as a brother, but he refuses hospitality and demands half of what Amadace has won: not his property but his wife and child. Despite Amadace's pleas for mercy, he continues to insist, until the princess tells her husband that he must honour his promise. She summons her son and waits calmly to be divided into two. But as Amadace raises his sword, the white knight stops him. He reveals that he is the merchant that Amadace helped bury, and that he has been praying to God to reward Sir Amadace. He leaves, and the couple thank God and Mary for their good fortune. Amadace sends messengers into his homeland to pay off his debts and summon his servants, and the couple live happily and prosperously until the old king dies and Amadace inherits his kingdom.

Edition used for plot summary: Mills, Six Middle English Romances (1992).

Manuscripts

Manuscript Date Folio
Edinburgh, National Library of Scotland, MS Advocates 19.3.1 (Heege) Fifteenth century 68r-84r
Princeton, University Library, MS Taylor 9 (Ireland Blackburn MS) 1450-60 16r-34v

Modern editions

Henry Weber, ed., Metrical Romances of the Thirteenth, Fourteenth, and Fifteenth Centuries, 3 vols (Edinburgh: George Ramsay and Company, 1810).

Vol. 3. Pp. 241-75. Uses Advocates MS.

John Robson, ed., Three Early English Metrical Romances, Camden Society 18 (London, 1842).

Uses Ireland MS.

Christopher Brookhouse, ed., Sir Amadace and The Avowing of Arthur: Two Romances from the Ireland MS, Anglistica 15 (Copenhagen: Rosenkilde and Bagger, 1968).

Pp. 31-59. Uses Ireland MS as main text, with Advovates text edited in appendix at pp. 109-133.

Maldwyn Mills, ed., Six Middle English Romances (London: J.M. Dent for Everyman, 1973).

Pp. 169-192. Uses both MSS.

Edward E. Foster, ed., Amis and Amiloun, Robert of Cisyle, and Sir Amadace (Kalamazoo, MI: Medieval Institute Publications, 1997).

Pp. 111-145. Uses Ireland MS.